The Neumann KM 184 MT is a thoroughly modern condenser microphone with a small diaphragm and a cardioid polar pattern that remains consistent across all frequencies. Renowned for its exceptionally natural and transparent sound quality, the KM 184 features an impressively low self-noise level and can handle high sound pressure levels with ease. As a result, it has become a globally recognized standard for both stage and studio use, excelling in a wide range of applications from classical piano to heavy drumming.
Accuracy is crucial in many recording scenarios, where it is necessary to capture the original acoustic event faithfully, without any alteration. This is precisely where the Neumann 180 series shines. Comprising three models with different polar patterns (omnidirectional, cardioid, and hypercardioid), namely the KM 183, KM 184, and KM 185 respectively, this series comprehensively covers the majority of live and studio applications. One notable advantage of the non-modular design of the 180 series is its cost-effectiveness when compared to the modular KM A and KM D series, which provide a wide range of interchangeable heads and capsules for analog and digital systems.
The KM 184 is a true engineering marvel from Neumann, offering a cardioid polar pattern that remains frequency-independent and boasts excellent rear rejection, extending to 180 degrees even at low frequencies. This results in sound capture that remains true and uncolored across a wide angle.
The frequency response of the Neumann KM 184 is incredibly smooth and linear, with a slight boost around 9 kHz to enhance brilliance when necessary. The transformerless amplifier employed in the KM 184 ensures a wide dynamic range of 125 dB, meticulously crafted to preserve the sonic integrity of the capsule.
The KM 184 exhibits an exceptionally low self-noise level of just 13 dB, and its distortion-free performance allows it to handle high sound pressure levels up to 138 dB. Additionally, its low-impedance output stage enables it to work reliably with cable lengths of up to 300 meters without any loss in transmission.
The versatility of the KM 184 makes it ideal for a wide range of studio and live applications. Its transparent sound quality lends itself perfectly to acoustic instruments such as piano, drums, percussion, acoustic and bass guitars, as well as violin, cello, and wind instruments. This microphone performs equally well in solo performances and ensemble settings. Its outstanding off-axis behavior makes it an exceptional choice for stereo and surround recording, delivering impeccable image quality.
Although the KM 184 is not specifically tailored for human vocals, it is frequently used in classical vocal recordings and in cases where maintaining the authenticity of the sound is paramount. Moreover, its compact size ensures unobtrusive placement, making it well-suited for television and radio applications.
Key Features:
- Consistent cardioid pickup pattern with minimal off-axis coloration
- Linear frequency response with a slight boost in the high frequencies
- Impeccably low self-noise level of 13 dB(A)
- Low-impedance output enables long cable runs without any loss in signal quality
- Transformerless circuitry for superior performance
- Compact and visually appealing design
- Unaltered cardioid polar pattern off-axis
Package Includes:
- 2 x KM 184 MT microphones
- 2 x WNS 100 windscreens
- 2 x SG 21 microphone holders
- Case
- Documentation